Post by dominus on Jul 19, 2009 1:48:24 GMT -5
Thought this was interesting:
Something to distract us from ENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHT
The "second season" drove me to rewatch the older episodes and I was led to a Freudian interpretation of the series. Observe.
Haruhi: Invokes the subconscious. All her subconscious desires are made manifest in reality. It is implied in the first episode that Kyon subconsciously craves a world of time travelers, aliens, and espers. (By contrast, Haruhi consciously desires these things.) According to Freud, our dreams are manifestations of our subconscious will. The climatic scene where Haruhi begins to remake the universe occurs within what becomes a shared dream between Haruhi and Kyon.
Mikuru: Invokes the id. Kyon, normally cynical, rational, and clear-minded is overcome with lust around Mikuru. She is so MOE and appeals to Kyon's most base desires.
Yuki: Invokes the super-ego. Is designed as a human interface--the super-ego allows us to rationalize our desires in a culturally acceptable way. And what else can contrast the id more starkly than cold, cool logic?
Koizumi: Invokes the ego. Of the three, Koizumi is the one character who most often pulls Kyon aside and advises him on how to handle a given situation. The ego gives us direction and balances the id with the super-ego. Also notice how Koizumi tries to remain as neutral and agreeable as possible.
Haruhi: Invokes the subconscious. All her subconscious desires are made manifest in reality. It is implied in the first episode that Kyon subconsciously craves a world of time travelers, aliens, and espers. (By contrast, Haruhi consciously desires these things.) According to Freud, our dreams are manifestations of our subconscious will. The climatic scene where Haruhi begins to remake the universe occurs within what becomes a shared dream between Haruhi and Kyon.
Mikuru: Invokes the id. Kyon, normally cynical, rational, and clear-minded is overcome with lust around Mikuru. She is so MOE and appeals to Kyon's most base desires.
Yuki: Invokes the super-ego. Is designed as a human interface--the super-ego allows us to rationalize our desires in a culturally acceptable way. And what else can contrast the id more starkly than cold, cool logic?
Koizumi: Invokes the ego. Of the three, Koizumi is the one character who most often pulls Kyon aside and advises him on how to handle a given situation. The ego gives us direction and balances the id with the super-ego. Also notice how Koizumi tries to remain as neutral and agreeable as possible.
Something to distract us from ENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHTENDLESSEIGHT